Collections

Pizziolo, M & Ravasio, R 2013, This is not propaganda. Arte contemporanea italiana. Collezione Antonio Stellatelli, L’Artistica, Savigliano.

Dedicated to contemporary Italian art, Antonio Stellatelli’s collection, curated by Marina Pizziolo and Romano Ravasio, includes paintings, sculptures and photographs by Italian artists born since 1960. The result is an original interpretation of the art situation in Italy. The book was launched in New York and New Delhi.

Pizziolo, M & Ravasio, R 2012, The Indian Renaissance. A research project on the new frontiers of art, L’Artistica, Savigliano.

The book presents an overview of the latest contemporary Indian artworks to enter the Stellatelli collection, curated by Marina Pizziolo and Romano Ravasio. In recent years India has been experiencing an extraordinary Renaissance from the artistic, cultural and economic standpoint. This collection “in progress”, which we present as the account of a project, of a journey just embarked upon, is intended to be an Italian homage to Indian energy.

Pizziolo, M & Ravasio, R 2009, Zhang Dali. The forbidden fascination of new China, Argo, Turin.

The catalogue of the exhibition held in Turin at Palazzo della Provincia. It presents an extraordinary selection of works by one of the greatest contemporary Chinese artists: works acquired by a private Turinese collection curated by Marina Pizziolo and Romano Ravasio.

Pizziolo, M & Ravasio, R 2007, Arte italiana contemporanea. New Entries, Arte-2000, Milan.

The catalogue of the exhibition held in Milan dedicated to the latest acquisitions, the New Entries, in the Stellatelli collection, curated by Marina Pizziolo and Romano Ravasio. The New Entries are ten artists, aged between twenty-four and thirty-two, who appeared on the Italian artistic scene around the new millennium.

Crispolti, E & Pizziolo, M 2000, Renato Guttuso. Spes contra spem. I capolavori della Fondazione Pellin, Electa, Milan.

A monograph that marks the creation of the Francesco Pellin Foundation. Dedicated to the study and popularisation of the work of Renato Guttuso, the Foundation was brought into being thanks to the commitment of Marina Pizziolo, who went on to direct it for four years.

Pizziolo, M 1999, Ernesto Treccani. Anni novanta. Opere dalla collezione Brambati, Brainframes, Imbersago.

The vast Brambati collection curated by Marina Pizziolo and Romano Ravasio offers a unique observation point from which to explore Treccani’s painting of the 1990s.

Pizziolo, M 1998, Corrente e oltre. Opere dalla collezione Stellatelli. 1930-1990, Charta, Milan.

The catalogue of the exhibition held in Milan, at the Museum of La Permanente. The Stellatelli collection offers a unique perspective on the careers of fifteen artists who participated in the Corrente movement in the period between 1930 and 1990. Sixty years of Italian art are reflected in the work of these artists.

Chiappini, R & Pizziolo, M 1997, Opere d’arte della città di Lugano. Fondazione Aligi Sassu, Skira, Milano.

The catalogue presents the entire corpus of the Aligi Sassu Foundation, established in Lugano following the artist’s wishes. The foundation hosts the author’s huge personal collection.