Marina Pizziolo

Art historian and critic

Directs the cultural framework and curatorial criteria: museum collections, site-specific commissions and artist selection.
Coordinates institutional relations with museums, foundations and programs through to the presentation of completed collections.

Romano Ravasio

Art critic, expert in market trend

Defines method and criteria for acquisitions and collection management, integrating the reading of trends and markets.
An expert in the identification of forgeries in art, he decides inclusion or exclusion from a collection. Directs public art projects and new cultural heritage.

Services
Collectors

Build, not accumulate

A collection is not formed by accumulation. Every work acquired without defined criteria weakens the patrimony instead of building it. The decisions that matter concern the overall direction: which works, in what sequence, with what coherence over time.
This requires a judgment, not merely a choice.

A collection is not formed by accumulation. Every work acquired without defined criteria weakens the patrimony instead of building it. The decisions that matter concern the overall direction: which works, in what sequence, with what coherence over time.
This requires a judgment, not merely a choice.

Services
Companies

Art that works

Art in a company is either a cultural decision or decoration. A work in the wrong place, with no relation to the company's identity, is a cost. A work commissioned with precise criteria becomes permanent memory.
The difference lies in the method, not the budget.

Art in a company is either a cultural decision or decoration. A work in the wrong place, with no relation to the company's identity, is a cost. A work commissioned with precise criteria becomes permanent memory.
The difference lies in the method, not the budget.

Services
Institutions

Art governs spaces

A museum, a university, a city does not acquire works. It assumes cultural decisions that define what becomes public heritage and what does not. Without verifiable criteria, these decisions remain opinions.
With curatorial direction, they become permanent cultural acts.

A museum, a university, a city does not acquire works. It assumes cultural decisions that define what becomes public heritage and what does not. Without verifiable criteria, these decisions remain opinions.
With curatorial direction, they become permanent cultural acts.

Cases

Each case documents a real decision: museum acquisitions, site-specific collections, authentication screening. From the Metropolitan Museum of Art in New York to Masdar City in Abu Dhabi.

Videos

Exhibitions in museums, public conferences and debates, authentication methodologies, art for companies. Acquisitions that anticipate the market, collections built with precise criteria, site-specific commissions in complex institutional contexts. Our work, documented.

Books

Books by Marina Pizziolo and Romano Ravasio: exhibition catalogues, research on collections, institutional projects, collaborations with New York University. From Skira to Electa, from the Mart to the European Parliament. A permanent archive of the work.

Art4Life

Art generates resources, which must generate solidarity and change. Concrete projects, with international partners. Because the privilege of working with art carries with it a precise responsibility.

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