Without category

Pizziolo, M 2023, Memorie dal futuro. Katja Loher e Dario Tironi, enhanced Challenge, EdiXion, Milan.

The evocative setting of the Scaligero Castle in Malcesine, a fascinating medieval village on Lake Garda, welcomes the sculptures and installations of Katja Loher and Dario Tironi, united by research oriented towards environmental themes. The exhibition was conceived and curated by Marina Pizziolo. This exhibition project dialogues with other environmental research present in the EdiXion catalogue, confirming the publisher’s commitment to themes of sustainability and artistic innovation.

Pizziolo, M 2024, Bahar Heidarzade. Le mie pietre sono aquiloni, enhanced Challenge, EdiXion, Milan.

The majestic setting of the Scaligero Castle in Malcesine, a medieval village overlooking the shores of Lake Garda, welcomed in 2024 the exhibition Le mie pietre sono aquiloni, a series of installations by Iranian artist Bahar Heidarzade (Tehran, 1981).
The exhibition, curated by Marina Pizziolo and Romano Ravasio, aims to stimulate reflection on the dramatically current theme of violence against women. Not to mourn yesterday’s victims, but to save tomorrow’s victims, with the extraordinary power of sharing.

Pizziolo, M & Ravasio, R 2024, Marco Carnà. Uova di gallo 1961-1968, enhanced Focus, EdiXion, Milan.

Uova di gallo (Rooster’s Eggs), is the title of a cycle of paintings that Marco Carnà (1929-2021) created in 1964. Starting from this title, which is in itself a declaration of anomaly, the exhibition held in autumn 2024 in Vimercate at MUST – Museo del Territorio, offers the opportunity for a journey through some fifty works that develop coherently, yet in limited edition, an investigation into the rhythm of the sign, into the adventure of geometries.
Impossible eggs that will never hatch, yet precious, self-referential and charged with potential. Will the real Marco Carnà arrive later or is he already here?

Pizziolo, M & Zattini, M 2024, Paganin e Fioravanti. Il grido e il canto, Mart, Rovereto.

An exhibition that brings together two long-lived sculptors who traversed the twentieth century, Giovanni Paganin and Ilario Fioravanti. The differences in poetics, subject matter, and plastic language emerge in a passionate encounter, which presents itself as an emblem of the diverse possibilities of figurative art. The exhibition that closed last March at MART, Museum of Modern and Contemporary Art of Trento and Rovereto, continues until February 2026 at the Museo delle Carceri in Asiago.