Crespi, A 2019, Barbara Nahmad. Oltremare, Federico Rui Arte contemporanea, Milan | 2021, enhanced rE-print, EdiXion, Milan.

Barbara Nahmad (Milan, 1967) has always used painting as a language of challenge and research, traversing themes that range from the intimacy of bodies to social visions. This new series of paintings dedicated to the Baltic marks a turn towards contemplation: the sea becomes a mental space where to seek a new horizon, between desire and omen, between our finite nature and the landscape of the infinite.

Lietti, M 2021, Miranda Fengyuan Zhang, enhanced Focus, EdiXion, Dubai.

Miranda Fengyuan Zhang (born in Shanghai in 1993, resident in New York) transforms millennial domestic gestures into contemporary artistic language. Through wool and cotton, the artist saves the memory of women’s work and delivers it to the future in new forms, creating works that dialogue with our most intimate memories.

Pérez, M 2021, Fotografía y Política. La lucha por la democracia en Panamá, virtual exhibition catalogue | 2021, enhanced rE-print, EdiXion, Dubai.

Photography as archaeology of the present: news images are transformed into tessellae of a historical mosaic to reconstruct Panama’s most tormented decades. The project stems from collaboration with the Fototeca de Panamá and from the curatorial strategy of combining public archives with family collections and journalistic materials. For thirty years, until 1989, Panama became the theatre of military coups, civil protests, fierce political repression, up to the American invasion. The enhanced version of the volume integrates an immersive soundscape with gunshots, voices and urban noises that restore the dramatic nature of those years. In this match, emerging democracy and major international interests for control of the Canal confronted each other.

De Marchi, C 2013, MinD/Body, DUCTAC, Dubai | 2021, enhanced rE-print, EdiXion, Dubai.

Cristiana de Marchi was born in Italy, but lives between Dubai and Beirut. Artist and writer, she has been one of the protagonists of the cultural scene in the United Arab Emirates for years. MinD/Body, where MinD stands for “Made in Dubai”, catalogue of an exhibition held in Dubai in 2013, offers a passionate survey of the work of the most important artists who were born or live in the Emirates, observed through the lens of performance and the conflictual, yet essential, relationship between mind and body.

The Archive was established in 2021 to enhance a unique collection in the world. In October 2021, the Balenciaga. The glamorous 1950s Archive was established. Curated by Marina Pizziolo and Romano Ravasio, it deals with the study and enhancement of the collection of Cristóbal Balenciaga drawings owned by designer Lorenzo Riva.The collection consists of almost […]

Pizziolo, M., Ravasio, R. et al. 2021, Balenciaga. The glamorous 1950s. Drawings from the iconic Maison, enhanced Focus, EdiXion, Dubai.

A collection of drawings by the legendary couturier Cristóbal Balenciaga, dating back to the 1950s, owned by Lorenzo Riva, who served as Artistic Director of Balenciaga in Paris during the 1980s. This remarkable collection, curated by Marina Pizziolo and Romano Ravasio, has never been exhibited before.
The works, which reveal the early concepts behind Cristóbal Balenciaga’s now-iconic lines and designs, offer insight into his creative process between 1950 and 1958—a period in which he paved the way for designers such as De la Renta, Courrèges, Ungaro and Givenchy.

VV.AA. September 2021 To be continued, Thinking digital. How technologies (will) shape the art book, in collaboration with New York University Abu Dhabi, EduXion – Enhanced educational tools, EdiXion, Dubai.

Dynamic and collaborative book, created by a growing international community, that explores the concept of the future digital art book and its need to go beyond the technological and cultural conditioning dictated by printing processes. The reflections gathered in this book arise from the collaboration between Marina Pizziolo and Romano Ravasio, publishers of EdiXion, the artist Wim Delvoye, the students of the Re-Design course at New York University Abu Dhabi led by Professor Goffredo Puccetti, and Nizar Habash, Professor of Computer Science at New York University Abu Dhabi.

Pizziolo, M 2023, Memorie dal futuro. Katja Loher e Dario Tironi, enhanced Challenge, EdiXion, Milan.

The evocative setting of the Scaligero Castle in Malcesine, a fascinating medieval village on Lake Garda, welcomes the sculptures and installations of Katja Loher and Dario Tironi, united by research oriented towards environmental themes. The exhibition was conceived and curated by Marina Pizziolo. This exhibition project dialogues with other environmental research present in the EdiXion catalogue, confirming the publisher’s commitment to themes of sustainability and artistic innovation.

Pizziolo, M 2024, Bahar Heidarzade. Le mie pietre sono aquiloni, enhanced Challenge, EdiXion, Milan.

The majestic setting of the Scaligero Castle in Malcesine, a medieval village overlooking the shores of Lake Garda, welcomed in 2024 the exhibition Le mie pietre sono aquiloni, a series of installations by Iranian artist Bahar Heidarzade (Tehran, 1981).
The exhibition, curated by Marina Pizziolo and Romano Ravasio, aims to stimulate reflection on the dramatically current theme of violence against women. Not to mourn yesterday’s victims, but to save tomorrow’s victims, with the extraordinary power of sharing.

Pizziolo, M & Ravasio, R 2024, Marco Carnà. Uova di gallo 1961-1968, enhanced Focus, EdiXion, Milan.

Uova di gallo (Rooster’s Eggs), is the title of a cycle of paintings that Marco Carnà (1929-2021) created in 1964. Starting from this title, which is in itself a declaration of anomaly, the exhibition held in autumn 2024 in Vimercate at MUST – Museo del Territorio, offers the opportunity for a journey through some fifty works that develop coherently, yet in limited edition, an investigation into the rhythm of the sign, into the adventure of geometries.
Impossible eggs that will never hatch, yet precious, self-referential and charged with potential. Will the real Marco Carnà arrive later or is he already here?