Pizziolo, M & Ravasio, R 2024, Marco Carnà. Uova di gallo 1961-1968, enhanced Focus, EdiXion, Milan.

Uova di gallo (Rooster’s Eggs), is the title of a cycle of paintings that Marco Carnà (1929-2021) created in 1964. Starting from this title, which is in itself a declaration of anomaly, the exhibition held in autumn 2024 in Vimercate at MUST – Museo del Territorio, offers the opportunity for a journey through some fifty works that develop coherently, yet in limited edition, an investigation into the rhythm of the sign, into the adventure of geometries.
Impossible eggs that will never hatch, yet precious, self-referential and charged with potential. Will the real Marco Carnà arrive later or is he already here?

Pizziolo, M 2024, Bahar Heidarzade. Le mie pietre sono aquiloni, enhanced Challenge, EdiXion, Milan.

The majestic setting of the Scaligero Castle in Malcesine, a medieval village overlooking the shores of Lake Garda, welcomed in 2024 the exhibition Le mie pietre sono aquiloni, a series of installations by Iranian artist Bahar Heidarzade (Tehran, 1981).
The exhibition, curated by Marina Pizziolo and Romano Ravasio, aims to stimulate reflection on the dramatically current theme of violence against women. Not to mourn yesterday’s victims, but to save tomorrow’s victims, with the extraordinary power of sharing.

Pizziolo, M 2023, Memorie dal futuro. Katja Loher e Dario Tironi, enhanced Challenge, EdiXion, Milan.

The evocative setting of the Scaligero Castle in Malcesine, a fascinating medieval village on Lake Garda, welcomes the sculptures and installations of Katja Loher and Dario Tironi, united by research oriented towards environmental themes. The exhibition was conceived and curated by Marina Pizziolo. This exhibition project dialogues with other environmental research present in the EdiXion catalogue, confirming the publisher’s commitment to themes of sustainability and artistic innovation.

VV.AA. September 2021 To be continued, Thinking digital. How technologies (will) shape the art book, in collaboration with New York University Abu Dhabi, EduXion – Enhanced educational tools, EdiXion, Dubai.

Dynamic and collaborative book, created by a growing international community, that explores the concept of the future digital art book and its need to go beyond the technological and cultural conditioning dictated by printing processes. The reflections gathered in this book arise from the collaboration between Marina Pizziolo and Romano Ravasio, publishers of EdiXion, the artist Wim Delvoye, the students of the Re-Design course at New York University Abu Dhabi led by Professor Goffredo Puccetti, and Nizar Habash, Professor of Computer Science at New York University Abu Dhabi.

Pizziolo, M., Ravasio, R. et al. 2021, Balenciaga. The glamorous 1950s. Drawings from the iconic Maison, enhanced Focus, EdiXion, Dubai.

A collection of drawings by the legendary couturier Cristóbal Balenciaga, dating back to the 1950s, owned by Lorenzo Riva, who served as Artistic Director of Balenciaga in Paris during the 1980s. This remarkable collection, curated by Marina Pizziolo and Romano Ravasio, has never been exhibited before.
The works, which reveal the early concepts behind Cristóbal Balenciaga’s now-iconic lines and designs, offer insight into his creative process between 1950 and 1958—a period in which he paved the way for designers such as De la Renta, Courrèges, Ungaro and Givenchy.

The Archive was established in 2021 to enhance a unique collection in the world. In October 2021, the Balenciaga. The glamorous 1950s Archive was established. Curated by Marina Pizziolo and Romano Ravasio, it deals with the study and enhancement of the collection of Cristóbal Balenciaga drawings owned by designer Lorenzo Riva.The collection consists of almost […]

De Marchi, C 2013, MinD/Body, DUCTAC, Dubai | 2021, enhanced rE-print, EdiXion, Dubai.

Cristiana de Marchi was born in Italy, but lives between Dubai and Beirut. Artist and writer, she has been one of the protagonists of the cultural scene in the United Arab Emirates for years. MinD/Body, where MinD stands for “Made in Dubai”, catalogue of an exhibition held in Dubai in 2013, offers a passionate survey of the work of the most important artists who were born or live in the Emirates, observed through the lens of performance and the conflictual, yet essential, relationship between mind and body.

Pérez, M 2021, Fotografía y Política. La lucha por la democracia en Panamá, virtual exhibition catalogue | 2021, enhanced rE-print, EdiXion, Dubai.

Photography as archaeology of the present: news images are transformed into tessellae of a historical mosaic to reconstruct Panama’s most tormented decades. The project stems from collaboration with the Fototeca de Panamá and from the curatorial strategy of combining public archives with family collections and journalistic materials. For thirty years, until 1989, Panama became the theatre of military coups, civil protests, fierce political repression, up to the American invasion. The enhanced version of the volume integrates an immersive soundscape with gunshots, voices and urban noises that restore the dramatic nature of those years. In this match, emerging democracy and major international interests for control of the Canal confronted each other.

Lietti, M 2021, Miranda Fengyuan Zhang, enhanced Focus, EdiXion, Dubai.

Miranda Fengyuan Zhang (born in Shanghai in 1993, resident in New York) transforms millennial domestic gestures into contemporary artistic language. Through wool and cotton, the artist saves the memory of women’s work and delivers it to the future in new forms, creating works that dialogue with our most intimate memories.

Crespi, A 2019, Barbara Nahmad. Oltremare, Federico Rui Arte contemporanea, Milan | 2021, enhanced rE-print, EdiXion, Milan.

Barbara Nahmad (Milan, 1967) has always used painting as a language of challenge and research, traversing themes that range from the intimacy of bodies to social visions. This new series of paintings dedicated to the Baltic marks a turn towards contemplation: the sea becomes a mental space where to seek a new horizon, between desire and omen, between our finite nature and the landscape of the infinite.

Favretto, S 2022, When art meets law. Authenticity and anxieties of the market, Giappichelli, Turin | 2022, enhanced rE-print, EdiXion, Milan.

The market for fake artworks generates a turnover that thrives in the shadows, fuelled by buyers who often rely only on the seller’s guarantees. Lawyer Sergio Favretto transforms the complexity of art law into an accessible narrative, guiding non-specialist readers through the dark areas of the international market. A militant essay that starts from emblematic cases. His book is a passionate plea in defence of artistic authenticity and a legal ethics of art.

Pizziolo, M & Ravasio, R 2026, The Risks of Art Collecting, EduXion – Enhanced educational tools, EdiXion, Dubai.

A provocative and well-documented essay that reveals the risks of art collecting, between false promises and profound contradictions of the market. The purchase of a work of art – often perceived as a safe and prestigious investment – can actually transform into a path full of pitfalls. The essay accompanies the collector on a journey through auctions, galleries and online platforms, which teaches how to defend oneself from information asymmetries, conflicts of interest, lack of transparency and incorrect practices, often capable of deceiving even the most experienced collectors.

Pizziolo, M & Ravasio, R 2026, Free Solo. Artists without gallery, enhanced Free Solo, EdiXion, Dubai.

Who are the freest artists in the system? Those who have no gallery. Free Solo is an editorial project that intercepts them, listens to them, exhibits them. Not outsiders, but solitary climbers of the visible: creatives without labels, often invisible, but never irrelevant. A collection of voices, works and paths that restores dignity and space to those who create off the radar and precisely for this reason can surprise more.

Pizziolo, M & Ravasio, R 2026, Marco Carnà: uno scomodo genius loci. Cronaca di una riscoperta, enhanced Focus, EdiXion, Milan.

Marco Carnà (1929-2021) was an Italian painter, drawer, sculptor and poet. Carnà was above all a tireless example of intellectual coherence. An artist who traversed the second half of the twentieth century and the first two decades of the new millennium as a solitary protagonist. His is a story yet to be written. His first major retrospective will soon be announced, taking place in spring 2026. The exhibition, which will be curated by Marina Pizziolo and Romano Ravasio, will allow the discovery of a great figure of the twentieth century, absurdly forgotten.

An Archive within the artist’s house-museum. In March 2022, at the behest of Daniela Piazza, the artist’s wife, the Marco Carnà Archive was established under the curatorship of Marina Pizziolo and Romano Ravasio, with the purpose of preserving and advancing knowledge of the artist’s production.The Archive dedicates itself to the study of Marco Carnà’s oeuvre […]

Pizziolo, M & Ravasio, R 2026, Italy. 4,000 years of beauty, Discovery, EdiXion, Milan.

Italy is not just a country of art. It is the only place in the world where four thousand years of history have been deposited without interruption, creating a unique, continuous and still readable cultural stratification. Here every epoch has built upon the previous one without erasing it. The result is an extraordinary continuity: ancient temples that become churches, Roman roads that cross Renaissance centres, castles that house contemporary works of art. Italy is the place where the dialogue between past and present allows one to experience the emotion of eternal beauty.

A sumptuously decorated neoclassical palace of nearly seven hundred rooms. With its secular trees, the palace is set in the largest enclosed park in Europe.
The history of this palace is intertwined with the turbulent Italian history of the last two hundred years. After the murder of King Umberto I in the avenue facing Villa Reale, his son, King Vittorio Emanuele III, did not want to use it anymore. He closed it and moved most of the furniture to the Quirinale in Rome. Today it is an oasis of peace on the outskirts of Milan, ready to welcome art and nature lovers.

Ivan Meštrović is the most famous Croatian artist in the world. Meštrović created his studio in the upper part of Zagreb, in a building dating back to 1600. He lived and worked there for twenty years, from 1922 to 1942.
The artist donated the building to Croatia, together with 300 sculptures in marble, bronze, wood and plaster and drawings, lithographs and furniture designed by him. Today, the Atelier also houses rich photographic documentation and the artist’s private archive, as well as the works of other artists.

Dan Graham’s glass sculpture is located next to the main road that crosses the Lofoten archipelago.
With its transparent and mirrored walls, its presence is magnetic. From a distance, more than its material structure, we are struck by the movement that animates its surface, capable of capturing the light and the image of the surrounding landscape. Approaching it, you can enjoy an extraordinarily immersive experience.

The Vittoriale, the home of poet Gabriele d’Annunzio, is a museum consacrated to beauty. With buildings, streets and squares, an open-air theatre, gardens and waterways, it is located in Gardone Riviera on Lake Garda. It stands in memory of the poet-soldier and the exploits of the Italians during the First World War.
Each room is a Wunderkammer, crammed with symbolic objects. In the park, a plane, a military ship and an MAS 96, an Anti-Submarine Motorboat renamed by d’Annunzio Memento Audere Semper: remember to dare always.

An artist’s studio, a gallery, a museum can become a space without limits, always accessible, ready to welcome visitors and provide information on demand. A true sensory adventure, immersive and engaging, where you can travel the world or even meet new people in our Metaverse.

Immerse yourself in the real world, with new eyes. Augmented reality can turn any place into an extraordinary story, where the narrative comes alive with fantastic and seemingly real elements that come to life right in front of you. Visiting a museum or any place of art has never been so immersive.

You may or may not like a particular work of art, but quality is not an opinion. From now on, if you want to recognise artworks that are really worthwhile, you can count on our Quality Marks: the compass for moving confidently in the art market.
Our Quality Marks are certification tools: independent, like us. They are the guarantee of a protected purchase, which recognises the artwork’s real value. If you are planning to buy a work of art, contact us first.

EdiXion presents a series of fascinating virtual reality self-portraits.
Imagine walking into an artist’s studio and watching him or her at work. If you use a virtual reality visor, the film, shot with a 360° camera, will give you a well-rounded experience of their studio. To look around simply move the cursor.